Tuesday, November 24, 2009

Sony teamed up with Author Solutions and Smashwords


Sony has teamed up with Author Solutions and Smashwords to give self-published authors and small book publishers the possibility of making their works available for the Sony Reader.




About Author Solutions

It's been more than 500 years since publishing has gone through a transformation like we are seeing right now. Then, Johannes Gutenberg introduced his printing press and gave birth to the publishing industry.
Today, Author Solutions is helping spur the next great expansion of publishing by introducing new technologies and services to help more authors than ever before to achieve their personal publishing goals.

Through our Author Services brands, we've become the leader in self-publishing in UK, the fastest-growing segment in number of titles published over the past five years. Our publishing services platform can help traditional publishers of any size monetize unpublished manuscripts and efficiently discover emerging authors. That means more authors, publishers, and organizations can generate revenue by publishing books than ever before.
This news that Sony's electronic bookstore will be feauturing practically ALL book publishers in their market means that the such partnership will even out the playing field in the publishing industry. "New authors can select a self-publishing path and get their work published and for sale on Sony's e-book store in as little as 10 days," Sony said. "We're committed to providing our customers access to the broadest range of eBook content available and believe these collaborations will allow us to expand the store selection with a host of compelling works from independent sources," said Chris Smythe, director of Sony's e-book store. "We recognize that it is important to provide independent authors and publishers the opportunity to quickly and easily bring their ideas and content to a wide audience of readers," he added.

Amazon already offers a similar self-publishing in UK feature for the Kindle.
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Wednesday, November 4, 2009

My First ebook and the Stanza Reader


I have grown to love everything digital now. Ever since I downloaded Stanza Reader on my iTouch, I am totally inseparable with the gadget. A Sony Reader is tempting and so is a Kindle seeing that these toys are entirely made for reading digital children's books, I can't part with my iTouch yet - a gift from my mom.


Stanza Desktop is the first program that has a built-in export feature especially for the Amazon Kindle. PDFs, Word documents, and other eBooks can all be exported to the Kindle's native format and copied over to the device using a USB cable. Getting a paper-quality reading experience for all your electronic documents with this innovative new device.

Last, but not least, Stanza Desktop on Macintosh has an experimental new feature that allows you to export your books to MP3 audiobooks. Your entire audiobook can then be added to iTunes and synchronized with your iPod or other digital music player. This technology enables the blind and visually impaired to enjoy a wealth of electronic documents.

There are perhaps so many eBooks readers distributed by book publishers now and I cannot totally rely on my iTouch for so long (especially when I ran out of battery after listening to music AND reading books at the same time) Do you think digital publishing will replace the traditional book publishing?
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Monday, October 26, 2009

How to Write A Book Review


After we have assessed the importance of book reviews and opened a whole new level of argument on HOW TO SUBMIT BOOK REVIEWS, maybe we try talking about even writing a book review. Wouldn't you agree? Who says you have to be an editor of the Times to submit one and grant authority? This could mean that we, avid readers, are supportive of other authors whether they write in the same genre as ours.
 

How to write a book review:

1. Read the book twice - the first reading to give you an overview;
2. the second, to start making the notes that will form the basis of your review.

3. No substandard, flippant, throwaway comments especially if they don't relate at all to the book
4. Be critical. Not destructive.

Some questions that should answer your book review:


Has the purpose of the book been achieved?
What contribution does the book make to the field?

Is the treatment of the subject matter objective?
Are there facts and evidence that have been omitted?
What kinds of data, if any, are used to support the author's thesis statement?
Can the same data be interpreted to alternate ends?
Is the writing style clear and effective?
Does the book raise issues or topics for discussion?


 Submit them to these book related sites that will review your books:

Affaire de Coeur TSClark_ADCads@affairedecoeur.com
All About Romance laurie@likesbooks.com
All About Murder Reviews hartigan@pacbell.net
All The Write Moves jonmarie2000@yahoo.com
Bella Online dMcDougle@bigfoot.com
Belles and Beaux scoleburn@msn.net
Blue Iris Journal Blue_iris_journal@writeme.com
Book Dragon Reviews TBR@bookdragonreviews.com
Book List (America Library Association) bott@ala.org
Book Nook carole@booknook.com
Book Page www@bookpage.com
Boston Globe Book Reviews gaines@globe.com
Buzzy Book Reviews Buzzy@ebookad.com
Crescent Blues Reviews crescentblues@hotmail.com
Danny Yee's Book Reviews editor@dannyreviews.com
Deep Outside SFFH brianc@clocktowerfiction.com
eBook Connections reviews@ebookconnections.com
eBooksnbytes admin@ebooksnbytes.com
Escape to Romance reviews@escapetoromance.com
Fiction Factor editors@fictionfactor.com
Fiction Forest sandi@fictionforest.com
GWN Online Netera@aol.com
Huntress Reviews archon@mindspring.com
Just Views justviews@justviews.com
Lakefield Reviews subs@lakefield.net
Lisa's Book Reviews lisasbookrev@aol.com
Mid West Book Reviews * mbr@execpc.com
MSF & F TnPC8331@aol.com
My Quill Reviews reviews@ivyquill.com
NZ Writers Web tomlewis-writer@paradise.net
Other Views authors@otherview.com
Promo Preview promopreview@hotmail.com
Rain Taxi Raintaxi@bitstream.net
Reader to Reader loves2read@juno.com
Readers Weekly publisher@readersweekly.com
Recipe Card.com Wen@RecipeCard.com
Romance Reviews Today RomRevToday@aol.com
Romantic Notions michelle@romanticnotions.com
Sandy's Book Reviews writers@writers-exchange.com
Scribes World reviews@scribesworld.com
Sharp Writer johncullen@sharpwriter.com
Sime Gen Reviews reviews@simegen.com
Simply eBooks bree@simplydreams.net
Sniffbutt hraden@onwardselsewhere.com
Strange Horizons * reviews@strangehorizons.com
Subversion (Women Writers Only) subversion@booksquare.com
Sun Times mroth@suntimes.com
The Australian review@theaustralian.com.au
The Compulsive Reader Webmaster@compulsivereader.com
The Review Zone Tina@TheReviewZone.com
The Romance Reader editor@theromancereader.com
The Romantic Bower editor@theromanticbower.com
The Write Lifestyle MerylSpellbinder@aol.com
Tracey's Book Reviews t_eastgates_reviews@yahoo.com
Under the Covers rmpdixie@aol.com
Word Museum * wordmuseum@aol.com
Word Weaving editor@wordweaing.com
Writers Club Yvonne473@aol.com


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Thursday, October 8, 2009

How Do You Make Bookstore Returnability Program Work for You?


Bookstores sometimes need more than just a reference number to validate your book's worth. After reading what the Bookstore Returnability Program can do for you, we have thought about what makes a bookstore carry your self-published book. Just because you published with a print-on-demand publishing company doesn't make you any different from the other authors that the bookstore houses. Here are some suggestions on how to approach a bookstore about carrying your books.  Many of them are common sense, but it doesn’t hurt to have a refresher course. 
           
Call first – Respecting the time of the person you need to contact is highly important. Make sure that you always catch him or her at the best time. 



Appointment – Set the appointment with the appropriate person and be on time.  A good idea is to try to set the appointment for the middle of the week and in the morning or mid-afternoon. You may want to ask, “When are you least busy?”  It shows respect and concern for their busy schedule.  If the bookstore is busy when you arrive for your appointment you may want to introduce yourself and offer to return at another time when they are not busy.  Remember this is a business.

Attire - You probably don’t need to wear your Sunday best, but appearance is important.  Remember this is a business decision for them; let them know you are serious.

Preparation – Most publishing sales representatives have a sell sheet for a book.  It isn’t likely a buyer will make their decision by reading an entire book; they don’t have time.    Since booksellers expect to see a sell sheet, give it to them.  Be succinct and to the point, it doesn’t require great detail but it should contain the following:

a.          Picture of the cover
b.          Paragraph or two about the book itself (the back cover copy)
c.          Author biography – This is extremely important particularly if you have written a      book that may have greater interest in certain geographic areas.


d.          ISBN
e.           Retail Price
f.           Where to buy (your book will be returnable through Ingram, so it is best to specify)
g.          Statement of returnability through Ingram
h.          On the back of the sheet include suggested dates for book signings


Presentation – This is the most difficult part.  When you go to the appointment try to present the book in the third person.  It is understandable that you are passionate about your work, but it’s harder to approach the appointment in that manner; it will put the decision maker in an awkward position.  Pretend you are a representative of the author and sell the book based on merit, not pure passion. Be sure to tell them that this is a returnable book and the risk level is very low. Again, you are a professional. Talk about the reviews on the book, about any upcoming author interviews, upcoming reviews, or book signing events. Always remember this is a business decision for the bookseller and try to appeal to him on that level.  Why would this book be good for the bookstore?  Why do you think it will sell well there? 

Focus – remember that you will sometimes be told “no.”   It is important to focus on the next bookstore and maintain composure.  You can always go back and ask for the sale again.  You can share with them your success at other locations, say to them “I know you originally said no, but the bookstore down the street put 3 in their store and they sold. Would you reconsider?”  You might be surprised.

Be Realistic – Understand most bookstores buy in small quantities (two to three copies at a time).  Don’t expect them to take 10 or 20 copies of your book.  If your book sells well, they will be able to quickly replenish their stock. That’s what Print-On-Demand is all about. The more reviews you get, the more book signings you do, the more exposure you get, the greater your chances of success.  It takes time and effort to build momentum and build your sales volume. 

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Friday, September 25, 2009

Worst Book Covers!


We have heard of ugly front covers of books but there are really book covers that will make you wonder how the hell did they get past the editing and proof reading stage. Are their editors blind?



Some of these books turned a blind eye to the images they layout. Who wants a book cover with a very disturbing photo of a bear/vampire/deformed woman? Here is a very nice article on the importance of an interesting book cover.
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Thursday, September 10, 2009

When it doesn't make sense to publish


Whenever my book publisher advises me something related to my book, I always take it to heart. You might need them in the future.


These are the following list of books that publishers are likely to reject:

1. Hate Literature

The last thing book publishers want is a lawsuit. Anything that poses a threat to an institution, an individual or another company might merit a subpoena.

2. Pornography

"If you take the sex out of the story and there wouldn't a story anymore, that is porn."

3. Plagiarized Content

And more lawsuits.




4. Fan fiction

Fanfiction is allowed when they are published in online. However, seeing them in book form might make the original producers chase after you.


Reading the list above, we might now question, what are the books that make sense to self publish?

PUBLISH A COOKBOOK

A POD self-publisher like Xlibris is an inexpensive way to put a book into the hands of friends and family.You do not have to be a chef to possess recipes that your entire household will forever adore. Cover and layout is not an issue especially if you have full control over them.

PUBLISH A MEMOIR

Biography type books normally does not require a huge audience and mostly just your family or generations after you. Sometimes writers just like seeing a printed version of their lives published and bound in front of them.

PUBLISH A BUSINESS BOOK

When you have a booming business, a book will enhance or alleviate your authority as an expert. You prefer the 50%+ of the cover price you will receive via this process than the 7-15% you will receive via traditional publishing. You can write the initial expenses off against marketing, and declare income as you hand sell books to clients and at lectures. In this case, it is worth the money to hire a professional editor, an experienced book designer, and create a combination of printed physical copies and a POD set-up with someone like Lightning Source.


PUBLISH A TRAVEL BOOK

The expenses involved in creating a professional quality self published travel book are worth it to you in the same way that going on a vacation is worth it--you are unlikely to make a profit, but the mental and emotional rewards of having your book out in the world, along with the statistically slender chance that your book will hit, make it worth the money.

Self-publishing a book makes sense when:

* When you want a shelf life longer than blue cheese. Average bookstore shelf life for most genres is now an astounding *four months* If you want to keep your book on the shelves longer than that, you *must* self-publish.


This is only the time to self-publish your book when the book means a lot to you and when it's important to you to have control of the book. Good luck! :) How to get started with publishing your book click here.
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Thursday, September 3, 2009

Savings with Xlibris Publishing


Current Xlibris prices are good until Sept. 30, 2009. Effective October 1, 2009, Xlibris will implement a price increase on all publishing and marketing services.



Isn’t this the best way to better get started with our book? :)

Start your publishing career here.
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Monday, August 31, 2009

Grants for Publishing A Book



Foundation Grants are Free Cash Grants given to individuals and small businesses by wealthy corporations or private citizens, who want to use it as a TAX WRITE OFF and as a way to promote good will for their companies. Private Foundations are required by law to give away 5% of their income each and every year or they will lose their non-profit status.

There are over 30,000 Private Foundations, 20,000 Business Foundations, 24,000 State Programs, and 1,500 Federal Programs administered by 57 different Federal Agencies. These agencies independently allocate and administer the combined $1.5 TRILLION DOLLARS to be given away in 2007. They need to give this Free Money to somebody.


Anyone over the age of 18 and is an American citizen or legal resident, who has a lawful and legitimate use for the money is eligible for these Free Government Grants. The beauty of the grant system is that the Government DOES NOT check your credit or ask for collateral, security deposits or co-signers. You can apply even if you have had a bankruptcy or bad credit.

How about getting a grant to finance your book publishing career? Most authors now refer to these grants to get started with publishing a book.

1. FORD FOUNDATION 320 East 43rd St., New York, NY 10017 Contact: Barron M. Tenny
Information: Money given for projects associated with research, training and other activities related to urban poverty, human rights, rural poverty, education and culture, public policy and international affairs.

2. THE BABY FOUNDATION FOR THE MUSICAL ARTS 501 Fifth Ave., New York, NY 10017 Contact: Eleanor C. Mark Information: Grants given for musical study based on need and talent.

3. GATLING GRANT North Carolina State University P.O. Box 7302 Raleigh, NC 27695-7302 Contact: Financial Aid Office

Information: If your last name is Gatling and you want to attend this university, you qualify for this grant. There is $1.2 million available in this fund.

4. CARNATION COMPANY SCHOLARSHIP FOUNDATION 5045 Wilshire Boulevard Los Angeles, CA 90036 Contact: Board of Advisors

Information:
Scholarships for higher education to relatives of Carnation Company employees on the basis of academic merit and financial need.

5. NEW HORIZONS FOUNDATION
700 South Flower St., Ste 1122 Los Angeles, CA 90017 Contact: G. Grant Gilford

Information: Financial assistance to needy Christian Scientists who are at least 65 years old and reside in Los Angels, County, Calif.

6. THE CLARK FOUNDATION 30 Wall Street New York, NY 10005 Contact: Edward W. Stack

Information: Grants for convalescent and medical care for needy individuals in the area of Upstate New York and New York City.

7. THE VERO BEACH FOUNDATION FOUNDATION FOR THE ELDERLY c/o First National Bank 225 South County Road Palm Beach, FL 33480 Contact: Program Director
Information: Relief assistance only to indigent residents of Vero Beach, Fla.

8. The National Historical Publications and Records Commission
(NHPRC). You can apply for grants to assist you with your study of Federal Records or Presidential Papers. You can also apply for grants to collect, preserve, and publish documents important to understanding American history. 1-800-518-4726. http://www.archives.gov/grants/

9. The National Council of Teachers of English

1111 W. Kenyon Road, Urbana, IL 61801-1096
Phone: 217-328-3870 or 877-369-6283
Fax: 217-328-9645 www.ncte.org/about/grants
http://www.state.nj.us/nj/govinfo/njgov/grants.html
10. The Charles A. and Anne Morrow Lindbergh Foundation
2150 Third Avenue North, Suite 310
Anoka, MN 55303-2200
Phone: 763-576-1596
Fax: 763-576-1664
E-mail: info@lindberghfoundation.org
Website: http://www.lindberghfoundation.org

Each year, The Charles A. and Anne Morrow Lindbergh Foundation provides grants of up to $10,580 (a symbolic amount representing the cost of the Spirit of St. Louis) to men and women whose individual initiative and work in a wide spectrum of disciplines furthers the Lindberghs' vision of a balance between the advance of technology and the preservation of the natural/human environment.

11. Joan K. Davidson, President • Ann Birckmayer, Administrator
Post Office Box 667 • Parcels: 518 Warren Street • Hudson, New York 12534
Telephone 518/828-8900 • Fax 518/828-8901

12. Carole Boucher, Program Officer
Writing and Publishing Section
Canada Council for the Arts
350 Albert Street, P.O. Box 1047
Ottawa ON K1P 5V8
Telephone: 1-800-263-5588 (toll-free) or 613-566-4414, ext. 5088
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How to get started with publishing your book
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Tuesday, August 25, 2009

List of Bestselling Books That Were Rejected


Will you take a look at this?

Author: Patrick Dennis
Book: Auntie Mame
Number of Rejects: 15

Author: Richard Bach
Book: Jonathan Livingston Seagull
Number of Rejects: 18

Author: Jack Canfield and Mark Victor Hansen
Book: Chicken Soup for the Soul
Number of Rejects: 140
Publishers Said: Anthologies don’t sell. The book was too positive.

Author: J.K. Rowling
Book: Harry Potter and the Philosopher’s Stone
Number of Rejects: 8

Author: Thor Heyerdahl
Book: Kon-Tiki
Number of rejections: 20
Publishers said: The story wouldn't be very interesting.

Author: Laurence Peter
Book: The Peter Principle
Number of Rejections: 16 before Bantam Books

Author: James Joyce
Book: Dubliners
Number of rejects: 22

Author:
Richard Doddridge Blackmore
Book: Lorna Doone
Number of Rejects: 18 times before being published in 1889

Book: Dr. Seuss
Number of rejections: 23 rejections

Author: Robert Pirsig
Book: Zen and the Art of Motorcycle Maintenance
Number of rejects: 121

Author: Richard Hooker
Book: M*A*S*H
Number of rejects: 21



Author: Stephen King
Book: Carrie
Number of rejects: 30

Author: Margaret Mitchell
Book: Gone With the Wind
Number of publishers who rejected her: 38

Author: Madeleine L'Engle
Book: A Wrinkle in Time
Number of rejects: 26 rejections before the publishing house of Farrar, Straus and Giroux

Author: Charles Shaw
Book: Heaven Knows, Mr. Allison
Number: rejected by dozens of publishers on his own continent and by an estimated 20 British publishing firms, too.





Author: Frank Herbert
Book: Dune
Number of publishers who rejected him: 23 publishers before being accepted by Chilton

Author: John Grisham
Book: A Time to Kill
Number of rejects: Rejected by a dozen publishers and 16 agents

Author: Vladimir Nabokov
Book: Lolita
Publisher said: …overwhelmingly nauseating, even to an enlightened Freudian…the whole thing is an unsure cross between hideous reality and improbable fantasy. It often becomes a wild neurotic daydream…I recommend that it be buried under a stone for a thousand years.

Author: Sylvia Plath
Publisher said: Ms. Plath's ability as a poet was nothing special: There certainly isn't enough genuine talent for us to take notice.

Author: EE Cummings
Book: The Enormous Room
Number: 15 publishers before self-publishing
Note: He dedicated the book to the 15 publishers who rejected him.

Author: Irving Stone
Book: Lust for Life
Number: 16 times
Publisher said: A long, dull novel about an artist.

Author: Rudyard Kipling
Publisher Said: I’m sorry Mr. Kipling, but you just don’t know how to use the English language.
These were the words used by one of the editors of the San Francisco Examiner newspaper when rejecting one of Mr. Kipling’s short stories.

Author: Richard Adams
Book: Watership Down
Publisher said: Older children wouldn’t like it because its language was too difficult.

Author: Jack Kerouac
Book: On the Road
Publisher said: His frenetic and scrambled prose perfectly express the feverish travels of the Beat Generation. But is that enough? I don't think so.

Author: Judy Blume
Book: Are you There God? Its Me, Margaret
Number of rejects: Two years worth of rejection

Author: Kenneth Grahame
Book: Wind in the Willows
Publisher said: Because it was an irresponsible holiday story

Author: Isaac Bashevis Singer
Book: Stories for Children
Publisher said: It’s Poland and the rich Jews again.

Author: Marcel Proust
Book: Remembrance of Things Past
Publisher said: My dear fellow, I may be dead from the neck up, but rack my brains as I may I can't see why a chap should need thirty pages to describe how he turns over in bed before going to sleep.

Author: Jasper Fforde
Books: The Eyre Affair
Number of rejects: 76 rejection letters

Author: Meg Cabot
Book: The Princess Diaries
Number of rejects: 17 publishers

Author: Jorge Luis Borges
Book: The Garden of Forking Paths
Publisher said: Utterly untranslatable.

Author: Mr. Lawrence
Book: Lady Chatterley's Lover
Publisher said: For your own sake do not publish this book.

Author: William Golding
Book: Lord of The Flies
Number of rejections: 20 publishers
Publisher said: One denounced the future classic with these words (which should be inscribed on the hapless publisher's tomb): an absurd and uninteresting fantasy which was rubbish and dull.

Author: John le Carré
Book: The Spy Who Came in From the Cold
Publisher said: You’re welcome to le Carré – he hasn’t got any future.

Author: Anne Frank
Book: The Diary of Anne Frank.
Number of Rejects: 15
Publisher said: The girl doesn't, it seems to me, have a special perception or feeling which would lift that book above the 'curiosity' level; The Diary of Anne Frank was scarcely worth reading.

Author: Joseph Heller
Book: Catch-22
Publisher said: I haven’t the foggiest idea about what the man is trying to say…Apparently the author intends it to be funny – possibly even satire – but it is really not funny on any intellectual level.

Author: Ursula K. Le Guin
Book: The Left Hand of Darkness
Publisher said: The book is so endlessly complicated by details of reference and information, the interim legends become so much of a nuisance despite their relevance, that the very action of the story seems to be to become hopelessly bogged down and the book, eventually, unreadable. The whole is so dry and airless, so lacking in pace, that whatever drama and excitement the novel might have had is entirely dissipated by what does seem, a great deal of the time, to be extraneous material. My thanks nonetheless for having thought of us. The manuscript of The Left Hand of Darkness is returned herewith.

Author: George Orwell
Book: Animal Farm
Publisher said: It is impossible to sell animal stories in the USA.

Author: Tony Hillerman
Book: Navajo Tribal Police mystery novels
Publisher said: Get rid of all that Indian stuff.

Author: William Faulkner
Book: Sanctuary
Publisher said: Good God, I can’t publish this!
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Monday, August 3, 2009

10 Big Jokes About Copyright


If I had known that publishing a book requires too much legalities, I would have written more!

Seriously, I’m not the type to get discouraged by too many requirements such as getting your book’s copyright or getting your own Library of Congress number. What really matters is that your book gets all the necessary backup it needs just in case you might find them useful in the future (i.e. copyright infringement, law suits, etc).

Now, to arm ourselves with legal holes that we might have missed during our book publishing endeavor, I ran into myths that people have misconstrued about protecting your published book. A copyright, in the largest scale protects your literary work in all aspects, yet, sometimes, are misunderstood. Read about the copyright jokes I’ve ran into:

"It doesn't hurt anybody -- in fact it's free advertising."

It is not up to you to decide but the owner of the literary work. Even if they are credited for it, ask and to do so doesn’t hurt.

"If it doesn't have a copyright notice, it's not copyrighted."

BEFORE. Thanks to the Berne Convention, all literary works are automatically copyrighted. The moment you thought of the story and publish it – copyrighted. The time you snapped that photo – copyrighted. All literary works may not be copied unless the rightful owner gave permission to do so. A notice or even a copyright © sometimes adds fuel to declaring ownership of a literary work

The correct form for a notice is:

"Copyright [dates] by [author/owner]"

You can use C in a circle © instead of "Copyright" but "(C)" has never been given legal force. The phrase "All Rights Reserved" used to be required in some nations but is now not necessary.

"If I don't charge for it, it's not a violation."

A literary work has commercial value. Giving it away still incurs a violation. There is a USA exception for personal copying of music and no, it doesn’t violate anything. If the work has no commercial value, the violation is mostly technical and is unlikely to result in legal action. Fair use determinations do sometimes depend on the involvement of money.

Defendants are powerful. They can’t sue me.

Copyright law is mostly civil law. If you violate copyright you would usually get sued, not be charged with a crime.

I can make stories out of a popular book, change characters and it will now belong to me.

U.S. Copyright law is quite explicit that the making of what are called "derivative works" -- works based or derived from another copyrighted work -- is the exclusive province of the owner of the original work. If you write a story using settings or characters from somebody else's work, you need that author's permission.
Yes, that means almost all "fan fiction" is arguably a copyright violation. If you want to publish a story about Harry Potter, you need Warner Bros. permission, plain and simple. Now, as it turns out, many, but not all holders of popular copyrights turn a blind eye to "fan fiction" or even subtly encourage it because it helps them. Make no mistake, however, that it is entirely up to them whether to do that.

There is a major exception -- criticism and parody. The fair use provision says that if you want to make fun of something like Harry Potter, you don't need their permission to include Dobbie. This is not a loophole; you can't just take a non-parody and claim it is one on a technicality. The way "fair use" works is you get sued for copyright infringement, and you admit you did copy, but that your copying was a fair use. A subjective judgment on, among other things, your goals, is then made.

However, it's also worth noting that a court has never ruled on this issue, because fan fiction cases always get settled quickly when the defendant is a fan of limited means sued by a powerful publishing company. Some argue that completely non-commercial fan fiction might be declared a fair use if courts get to decide.

"Copyright violation is not a federal offense."

USA commercial copyright violation involving more than 10 copies and values over $2500 was considered a crime. Beware. On the other hand, don't think you're going to get people thrown in jail for posting your E-mail. The courts have much better things to do than squabble.

"They e-mailed me a copy, so I can post it."

Just because they furnished you a copy doesn’t mean you can post it and claim ownership. For example, if a public relations officer sent you an email of the event’s press release, it doesn’t mean you have the right to produce the same exact thing that their writer has written. To have a copy is not to have the copyright. All the E-mail you write is copyrighted. However, E-mail is not, unless previously agreed, secret. So you can certainly report on what E-mail you are sent, and reveal what it says. You can even quote parts of it to demonstrate. Honestly, if somebody sues you over an ordinary message, you would almost surely get no damages, because the message has no commercial value, but if you want to stay strictly in the law, you should ask first.

"So I can't ever reproduce anything?"

Copyright has two main purposes, namely, the protection of the author's right to obtain commercial benefit from valuable work, and more recently the protection of the author's general right to control how a work is used. If their work IS reproduced, it is just right that these owners get their royalties or whatever profit their work gained from that reproduction. The distributor or even the publication/periodical can also benefit from such reproduction and it is just right that they will be credited. Such a reward will encourage authors also to fund these periodicals.

If the work has little value, damages will be zero. If you feel you need to violate a copyright "because you can get away with it because the work has no value" you should ask yourself why you're doing it. In general, respecting the rights of creators to control their creations is a principle many advocate adhering to.

To Summarize:

• These days, almost all things are copyrighted the moment they are written, and no copyright notice is required.
• Copyright is still violated whether you charged money or not, only damages are affected by that.
• Postings to the net are not granted to the public domain, and don't grant you any permission to do further copying except perhaps the sort of copying the poster might have expected in the ordinary flow of the net.
• Fair use is a complex doctrine meant to allow certain valuable social purposes. Ask yourself why you are republishing what you are posting and why you couldn't have just rewritten it in your own words.
• Copyright is not lost because you don't defend it; that's a concept from trademark law. The ownership of names is also from trademark law, so don't say somebody has a name copyrighted.
• Fan fiction and other work derived from copyrighted works is a copyright violation.
• Copyright law is mostly civil law where the special rights of criminal defendants you hear so much about don't apply. Watch out, however, as new laws are moving copyright violation into the criminal realm.
• Don't rationalize that you are helping the copyright holder; often it's not that hard to ask permission.
• Posting E-mail is technically a violation, but revealing facts from E-mail you got isn't, and for almost all typical E-mail, nobody could wring any damages from you for posting it. The law doesn't do much to protect works with no commercial value.

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Thanks to Brad.-

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